赛博朋克女英雄城市追逐

Use <<<image_chr_heroin>>> as the strict main character and wardrobe reference. Use <<<image_chr_monster>>> as the strict monster reference. Use <<<image_prop_dagger>>> as the strict dagger reference. Use <<<image_loc_city>>> as the strict city reference. Use <<<image_prop_bike>>> as the strict red motorcycle reference. Create a 15-second, 16:9, photorealistic live-action sci-fi action sequence in bright daylight. STYLE: Premium retro-cyberpunk action-film realism. Gritty, tactile, physical, never cartoonish, glossy, game-like, pristine, or music-video-like. A dense futuristic daytime megacity with layered highways, industrial structures, pipes, cables, weathered pale concrete, dust, grit, faded surfaces, and restrained orange-red accents. Strong noon sunlight, slight haze, warm ivory highlights, muted cyan-teal shadows, dusty sky tones, charcoal machinery, and selective red-orange accents. Keep the image naturally weathered and cinematic rather than sharp CGI. HEROINE: Preserve the exact face, hair, body proportions, and outfit from <<<image_chr_heroin>>>. She rides <<<image_prop_bike>>>. <<<image_prop_dagger>>> is holstered at her lower back on the right side. CRITICAL DAGGER CONTINUITY: The dagger remains hidden before the crash. It must NOT appear near her face, in her hands, or anywhere in frame before the designated draw at 11.3s. She is controlled, efficient, and serious. MONSTER: Preserve <<<image_chr_monster>>>. Fast, animalistic, violent, quadruped-like. It attacks without posing or warning. Claws, footsteps, wall launches, and landings physically disturb dust, grit, concrete chips, and debris. ACTION / PHYSICS: Grounded realistic movement. Her eyes detect danger slightly before her head turns. Close-up facial acting stays minimal. After crashing, she carries impact in her breathing, balance, posture, and recovery. No superhero recovery or weapon flourish. Maintain believable gravity, mass, suspension, traction, friction, collision, inertia, and follow-through. Dust, sparks, grit, and fragments arise from real contact and linger briefly. CAMERA: Use HARD CUTS. Aggressive athletic camera work, but keep action geography readable. Use aerial geography, low chase, front 3/4 tracking, tight close-up, wide impact, airborne separation, ground tumble, and final confrontation. Camera movement feels physically operated with natural motion blur, subtle inertia, and brief impact disturbance, never random digital shake. 0.0–2.0s EXTREME HIGH AERIAL SHOT. High above the city, the red motorcycle races along an elevated roadway with several monsters pursuing behind. Camera glides forward and descends slightly, quickly establishing direction, geography, scale, and haze. 2.0–5.0s HARD CUT. LOW REAR CHASE directly behind the motorcycle near road level. Camera races close behind the rear wheel. She swerves in a controlled zigzag around obstacles. Suspension reacts to the road and the rear tire throws a thin trail of dust and grit. Camera opens slightly to reveal multiple monsters charging behind, smashing through loose obstacles and kicking debris backward. 5.0–7.2s HARD CUT. FRONT 3/4 MEDIUM tracking shot. Camera travels slightly ahead and beside the bike. She stays low over the motorcycle. Her eyes sense movement behind first; her head follows a fraction later as she glances back without losing control. Expression remains focused. Hair and jacket whip in the wind. 7.2–9.0s HARD CUT. TIGHT SIDE CLOSE-UP with brief controlled slow motion. Background streaks with strong motion blur. A monster suddenly launches from a nearby wall or industrial structure, releasing concrete dust and fragments. CRITICAL: The object passing near her face is ONLY the monster's claw, forearm, or attacking limb. It is NOT the dagger. The dagger remains hidden. The monster's limb passes centimeters from her face. Her eyes track it first; after it clears, she gives a small reflexive blink. 9.0–10.1s HARD CUT back to real-time. WIDE SIDE IMPACT. A second monster immediately strikes the motorcycle from the side. The bike resists briefly, then loses traction, is knocked sideways, and begins rotating out of control. Dust, grit, fragments, and sparks erupt from real contact points. 10.1–11.3s HARD CUT. AIRBORNE CRASH. The motorcycle rotates violently away while the heroine is thrown clear. Their separation must be immediately readable. The bike moves with heavy mechanical inertia. Road contact produces directional sparks, dust, grit, and fragments. Keep both trajectories clearly visible. 11.3–12.6s HARD CUT. GROUND-LEVEL TUMBLE. She is already mid-roll across the dusty road. Shoulder impacts first, then hip and side. Each contact creates short localized bursts of dust and grit. Momentum becomes a rough slide; she remains low and unstable. Only after she locates the charging monster does her right hand reach behind her. THIS is the first moment the dagger becomes visible. She clearly grips and draws <<<image_prop_dagger>>> from her lower back with no flourish. 12.6–15.0s HARD CUT. FINAL CONFRONTATION. Still affected by the crash, she gets her feet under her and surges forward. The dagger is now clearly visible for the first time and must match <<<image_prop_dagger>>>: compact white mechanical form, dark components, orange-red accents. She does not spin or pose with it. The monster charges simultaneously, kicking grit backward. She runs through lingering crash dust as the camera aggressively pushes toward both subjects while preserving clear silhouettes and attack direction. End immediately before impact or at the beginning of the decisive strike. Do not resolve the fight. IMPORTANT: Maintain heroine identity and wardrobe, monster design, red motorcycle design, dagger design, city continuity, and daylight direction across all cuts. The dagger must never appear before 11.3s. No rubbery CG physics, generic running, neon-night cyberpunk, pristine surfaces, fantasy effects, comedy, or superhero posing. Every second must feel deliberate, physical, gritty, expensive, and cinematic.