东西方艺术融合当代海报

Create a sophisticated contemporary East Asian art poster based on the uploaded photograph. FORMAT Use a vertical 3:4 canvas, divided horizontally into exactly two equal sections: Top 50% / Bottom 50%. TOP — ORIGINAL PHOTOGRAPH Preserve the uploaded photograph as faithfully as possible. Keep the original subject identity, composition, structural shapes, perspective, landscape or architecture, natural textures, lighting, atmosphere, and color relationships. Only apply subtle high-end color grading, tonal balancing, and visual cleanup, like editorial photography from an art magazine or exhibition catalogue. You may slightly extend the sky, ground, water, or surroundings to fit the composition. Do NOT stretch, distort, reshape, relocate, or redesign the main subject. BOTTOM — MINIMALIST INK-WASH REINTERPRETATION Reinterpret the same scene as a minimalist contemporary East Asian ink-wash artwork. Do NOT simply reproduce the photograph in watercolor. Extract only its most memorable silhouette, structure, perspective, spatial relationships, rhythm, atmosphere, and emotional tone. The bottom artwork should clearly correspond to the photograph above while feeling like an independent artwork. Use warm ivory / off-white xuan paper with subtle natural fibers. Build the image with Chinese ink wash, wet-on-wet diffusion, dry brush, broken edges, layered ink, bleeding, fading, and expressive negative space. Use mainly black, charcoal, gray, pale ink, and subtle blue-gray. Small amounts of restrained color may be extracted from the photograph: misty blue, muted jade, mineral green, warm gold, pale yellow, or cinnabar red. Ink and negative space must remain dominant. --- SUBJECT SCALE & NEGATIVE SPACE — VERY IMPORTANT The entire ink-wash scene in the bottom half must remain SMALL. Treat the reconstructed landscape as one compact visual object placed on a large sheet of paper. The painted subject should occupy only about 30–40% of the bottom section. At least 60% should remain visually open, quiet, and mostly unpainted. DO NOT enlarge the artwork to fill the panel. DO NOT stretch the landscape edge to edge. DO NOT create a full-frame watercolor painting. Think of it as a small ink landscape, a visual seal, a fragment of memory, or a museum artwork quietly placed on an exhibition page. The composition may be off-center, suspended, slightly cropped, or asymmetrically balanced. Negative space is an essential part of the composition. When uncertain, REMOVE information rather than adding more. Keep the core recognizable elements concentrated. Toward the edges, let the ink loosen, break apart, bleed, fade, and dissolve into the paper. Prioritize: essence over detail, atmosphere over realism, memory over documentation. TYPOGRAPHY Typography is optional. Do not automatically add titles, dates, locations, or numbers. If used, keep it extremely minimal, quiet, spacious, and secondary to the artwork. OVERALL AESTHETIC Contemporary East Asian minimalism. Poetic ink-wash reinterpretation. Large negative space. Small-scale landscape composition. Natural xuan-paper texture. Museum catalogue / exhibition poster aesthetics. Restrained, atmospheric, elegant, contemplative. REALITY ABOVE. MEMORY BELOW. The photograph records what was seen. The ink painting preserves what was felt. AVOID: full-frame watercolor, oversized subjects, excessive detail, photorealistic copying, decorative clutter, muddy colors, heavy brown filters, excessive typography, generic postcard layouts, or changing the identity of the original photograph.